Entrepreneurship and Innovation

The Crisis of Inheritance

Master A-fa said, “To run the business of statue sprucing industry, you need to prepare two things first, one is funding, and the other is space. “Funding” includes the budget for materials, the fees and salaries for hiring statue sprucing masters, and various studio expenses. “Space” includes the space where raw materials and finished products are stored, as well as the place where people work. These two things alone make it unaffordable for many operators. Besides, operators must balance their income and expenses every month, and must also try to hire statue sprucing masters with sophisticated skills and manage personnel issues. Therefore, many statue sprucing masters now open stores only to introduce imported products from China or Southeast Asia, and sell ready-made products made by others. At present, in the market in Taiwan, there is no master making statues for others to sell, so most of operators can only import imported statues from Vietnam and mainland China. These imported statues are relatively cheap because local wages are low. If the statue sprucing craftsmen in Taiwan cannot maintain unique characteristics, they will lose their competitiveness.

 

 

At present, there are not many statue sprucing craftsmen like Master A-fa in who can handle the complete process of order taking, production and sales. If this situation continues, this craft will lose the opportunity to continue to be passed down and may be lost over time.

Figure 3-5a: There are not many masters nowadays who are proficient in all the details.

Figure 3-5b: Master A-fa customized engraving service is even more precious.

Home

Narrative

My school

The Miraculous Master A-fa 

Statue Sprucing Craftsmanship

Craftsman Master A-fa

An Interview with Master A-fa

Statue Sprucing mandala

 

 

Years as an Apprentice 

A Childhood Immersed in Craftsmanship

Apprenticeship to Learn the Craft

The Early Stages of Learning

Sticking to Studies

Life of Apprenticeship

Becoming a Master After Seven Years of Apprenticeship

Creating His Own Way

Chronology of Master A-fa 



Entrepreneurship and Innovation 

Settled in Changhua

Difficulties and Challenges in Starting a Business

Growth against the Trend

Becoming Famous Far and Wide

The Crisis of Inheritance

Devotion to Inheritance

Commitment to Inheritance and Promotion

Taking Root

 

 

 

Statue Sprucing Craftsmanship 

Origin

Techniques

Materials

Restoration of Statues

The posture and facial expression of the statue

Cleaning up

Taboos of statue sprucing 

Master A-fa statue sprucing Video
Public Television 

Preparations before the Interview

Go to Nanyao Temple for on-site video shooting

A Visit to Master A-fa’s Buddhist paraphernalia shop

First encounter with gold

Lacquer thread carving experience

Public Television
Interviews and tours 

The interview with Mr. Tsai

Sweetness and bitterness experienced in statue sprucing

Class tour for promotion

Questionnaire statistical analysis

Lacquer thread game

Carving game

Comic Little Theater


Thematic Production and Reference Bibliography

Production process experience

Interesting details behind the project

Contribution and gain

Curriculum Integration

References and news links

Quiz